Thursday, April 12, 2007

Film Noirs

I have been watching a lot of Film Noirs from the 40's. I started noticing the difference between the more expensive films ($14.99 each) and the cheaper films (18 for $20). The big budget Hollywood Noirs that have the big name actors are not as good as the low budget B Noirs. In the big budget films there is a lot of attention given to setting up the characters and the situation. They begin making sure that the stars are introduced and shot in a flattering manner. This is not necessary for the genre. The scripts are also more convoluted and the pacing is generally not as tight although the endings tend to be good. The low budget B noirs on the other hand are great, with the exception of some bad third-act twists. They are able to get right to the conflict and usually the main character is put in a predicament. Due to lower budgets, the film is reduced down to less characters, and more scenes cut together to tell the story rather than dialogue and expensive shots. The audience is engaged by putting the pictures together and extracting the story themselves.

8 comments:

  1. What are some of your favorite ones?

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  2. Anonymous10:03 AM

    The B noirs I like so far: "Too Late for Tears" has a really flawless first act and great dialogue. "Scarlet Street" is good but too long. "Detour" is good but hinges on one implausible act. "The Man who cheated himself" has the great Lee J. Cobb and works pretty well until the end. I confess though that I have not seen some of the more famous "A" noirs like "the big sleep" or "The third man", or "maltese falcon" etc. Those are next on my list.

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  3. I love "The Third Man" and also "The T Men. "Maltese falcon" is good but a little underwhelming to me. A better john huston one is "the asphalt jungle".

    I also like an early Kubrick one called, "The killing," with sterling Hayden.

    Double Indemnity is credited with created a lot of the classic noir trappings.

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  4. Anonymous9:17 AM

    Here is the list I am following:

    1. 8.6 Sunset Blvd. (1950) 27,045
    2. 8.5 M (1931) 20,251
    3. 8.4 The Third Man (1949) 28,434
    4. 8.4 Double Indemnity (1944) 18,643
    5. 8.4 The Maltese Falcon (1941) 29,411
    6. 8.3 Touch of Evil (1958) 17,723
    7. 8.3 Strangers on a Train (1951) 17,178
    8. 8.3 The Big Sleep (1946) 15,670
    9. 8.3 Notorious (1946) 16,556
    10. 8.2 Ace in the Hole (1951) 1,814
    11. 8.2 I Am a Fugitive from a Chain Gang (1932) 2,168
    12. 8.2 The Killing (1956) 11,710
    13. 8.2 Out of the Past (1947) 4,889
    14. 8.2 Sweet Smell of Success (1957) 3,996
    15. 8.2 Shadow of a Doubt (1943) 9,752
    16. 8.1 The Night of the Hunter (1955) 12,335
    17. 8.0 White Heat (1949) 5,082
    18. 8.0 Nightmare Alley (1947) 953
    19. 8.0 Laura (1944) 7,457
    20. 8.0 The Set-Up (1949) 1,356
    21. 8.0 Key Largo (1948) 8,549
    22. 8.0 Night and the City (1950) 1,007
    23. 7.9 Body and Soul (1947) 791
    24. 7.9 Scarface (1932) 4,279
    25. 7.9 The Big Heat (1953) 2,866
    26. 7.9 Pickup on South Street (1953) 1,552
    27. 7.9 Angels with Dirty Faces (1938) 4,047
    28. 7.9 The Killers (1946) 2,601
    29. 7.8 Ossessione (1943) 1,024
    30. 7.8 The Roaring Twenties (1939) 1,823
    31. 7.8 In a Lonely Place (1950) 2,645
    32. 7.8 The Asphalt Jungle (1950) 4,381
    33. 7.8 The Narrow Margin (1952) 946
    34. 7.8 Deadly Is the Female (1950) 1,409
    35. 7.8 Scarlet Street (1945) 1,637
    36. 7.7 The Woman in the Window (1944) 1,330
    37. 7.7 The Lady from Shanghai (1947) 3,930
    38. 7.7 This Gun for Hire (1942) 1,018
    39. 7.7 The Big Clock (1948) 1,006
    40. 7.7 Gilda (1946) 4,756
    41. 7.7 Where the Sidewalk Ends (1950) 648
    42. 7.7 The Letter (1940) 1,898
    43. 7.6 Kiss of Death (1947) 1,002
    44. 7.6 Thieves' Highway (1949) 509
    45. 7.6 Mildred Pierce (1945) 3,826
    46. 7.6 Murder, My Sweet (1944) 1,762
    47. 7.6 Brute Force (1947) 686
    48. 7.6 The Naked City (1948) 1,046
    49. 7.6 Sudden Fear (1952) 604
    50. 7.5 Kiss Me Deadly (1955) 3,141

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  5. Touch of Evil and The Killing are two of my other favorites. Touch of evil is vintage Welles and The Killing is a great Heist movie by a young Kubrick featuring Sterling Hayden who I love.

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  6. Anonymous8:46 AM

    Here is a nice Noir site http://noiroftheweek.blogspot.com/

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  7. I would also count Asphalt Jungle, The Killing, and The Third Man as favorite noir films. I really enjoyed Pickup on South Street as well.

    There are also several great Neo-Noir films like, Bound, Out of Sight, and even Michael Mann's Heat, that I think effectively take the style in an interesting new direction.

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  8. Anonymous12:50 PM

    Thanks, I just bought pick up on south street. I was excited that Criterion had re-worked it. Hope I like it too.

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